As you might expect from such a broad cross-section of directors, the quality of each film varies drastically. Some are good, many are not, but I think it's mostly a matter of opinion as to which is which. They weren't particularly scary, and a good many were campy, crude, and scatological. I wasn't really interested in potty humor, so I didn't get much out of those segments.
The segments I enjoyed the most were D, involving a well-filmed and fairly nontraditional Dogfight (with a human boxer and a Labrador), and E (for Exterminate) which features a strange spider. I also enjoyed V (for Vagitis, which is defined as "The cry of a newborn baby") which was set in a dystopian future where everyone is sterilized unless they can earn the privilege to have children. I liked it for mostly non-horror reasons, and for what the director was able to accomplish with his budget.
There were also some disturbing entries, such as I (for Ingrown, involving a woman slowly dying after being injected with drain cleaner), P (for Pressure, wherein a woman prostitutes herself to support her children), and Y (for Young Buck, involving a deer and a pedophile). Of these, P was probably the best. The rest of the films either fall flat entirely, or are just too damn silly. I did find a few of them to be genuinely funny, particularly A (for Apocalypse), J (for Jidai-Geki, which is Japanese for "Samurai Movie"), N (for Nuptuals), Q (for Quack), and U (for Unearthed). The rest didn't really grab me.
The dog is one of the best actors in the entire anthology. |
Watch this one at your own risk, but you definitely need to make sure you watch D/Dogfight. Dogfight is currently posted on YouTube, so maybe you should go check it out there and save yourself from the rest of the movie unless you're particularly curious.
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